This is one of the poems from Prynne’s Or Scissel collection which was published by Shearsman in 2018. I’m probably running before I can walk but there’s a couple of things beings said here that appear to be unusually clear;
And despite twin to gem in such placement, at the sun-drift, at the turn nearby run across it with a near tremor galvanised even high and brittle; splinter alteration all known beyond range incessant as slower for removal, perish in parallel, squared off. Indignant both in stock over elevate without pause for dial laser before due moment, perfunctory if by measuring zinc option, beyond the gem-tilt ice crevasse. Not reluctant by match willing as would all be or variable; button furnace steel chasing, defect for prospect indexical home on the range in company expected abate- ment accession roaming sense acknowledge, make pack and fasten. Refract fully possible to get close, alternate dispossession to the upper frank reach, brow in mark not yet or notable, in quake hot furnace in new-broken, offended. Declare vertical in certain pitch wants no more for hunger makes contortion on every side, despite censure or because of its absence, to pay entirely on the nail ahead, open. Weld inlay dangerous to carry forward, deal unfound until by surprise uncovered, on the floor keep up: necessary parclose. How otherwise deal fair or first before, go there extenuate by staunch prior permission, your feet dangling.
I always feel some trepidation in writing about a Prynne piece that’s new to me, the opportunities to ‘go wrong’ are enormous yet I’m always tempted by even the most obdurate work when it hints that it might my attention. What follows is, as ever, provisional and tenuous and I reserve the right to change my mind at any time in the future.
As well as this proviso I must make clear that the town I grew up in, Middlesbrough, began as a centre for iron and steel making and throughout my adult life has been in a slow but steady state of decline.
I therefore want zinc option at least in part to address the increasingly farcical progress of that slow death. In support of this claim, I draw attention to the following;
across with a near tremor galvanised even high and brittle;
To galvanise, the OED tells me, is (incorrectly) referred to as the coating of iron with zinc even though “no galvanic process is involved” it’s also used to energise or give enthusiasm to either a group or an individual. Zinc is said to be brittle at temperatures below 100 – 150 celsius where it becomes malleable but is brittle again above 210 degrees.
The galvanic process involves passing a galvanic charge through something which may be what the small tremor refers to. It can also be argued that the British steel industry has been given small shocks of capital over the years which have resulted in small tremors of activity rather than a full recovery.
as would all be or variable; button furnace steel chasing, defect for prospect indexical
I’m here taking ‘button’ as a noun meaning to close something and to be silent about something. I’m resisting the temptation to place too much importance on the OED’s “Of broccoli, cauliflower, etc.: to form a small, premature head” but reserve the right to keep it in mind. As an aside, one such premature head from my adolescence was the building of a new blast furnace which was heralded as putting Teesside in front of all other steel makers when the sad fact remained that the developing world could make the same product at a much cheaper price.
For the moment, it may be as well to take ‘furnace/steel’ at face value but to give additional attention to ‘chasing’ which throws up a number of possibilities. This has a subsidiary definition of setting something with gems as well as to emboss or to engrave. There’s also chasing as pursuing which could characterise the UK government’s forlorn attempts to lure foreign investors to the industry.
There are several ambiguities within ‘prospect’ – a view, something to do with the future and, as a verb, seeking out mineral resources. Sadly I have no idea as to what any of these might have to do with ‘indexical’
.................................... Refract fully possible to get close, alternate dispossession to
Looking at the many possibilities of ‘refract’ highlights what is both intriguing and infuriating about Prynne’s work. I’m a fan of ambiguity in all forms of creative expression mainly because that’s how life in general seems to be. There are times, however, when there are too many possible / likely intentions that the exercise begins to cancel itself out. This particular instance may well be one of those.
Having very little scientific or technical knowledge, I decided to start here with refraction rather than the verb and this is the first entry in the OED;
Rhetoric. Use of the same word in opposing senses. Obsolete. rare.
The one example given is from 1555;
1555 R. Sherry Treat. Figures Gram. & Rhetorike f. xxx Refraction serueth to the like, when all one worde is repeted in a contrarye sense, as I know all this life to bee but bitternes, but I pray you geue me such bitternes.
I’ll proceed in a moment with the more standard definitions but there’s something here that what Prynne’s later work might be about. Here there’s the repeated use of ‘furnace’ but there’s also his interest in paradox and contradiction that seems to form part of the way in which we should read this material.
The ‘normal’ use of this verb applies to the deflection of light or sound waves when they enter another medium, water being the most obvious example. It can also mean to reflect or return, to break up or impair, to analyse nitre in order to calculate the extent of its impurities and to measure and then correct the refractive error of the human eye.
All of these would seem to ‘fit’ the sense of the poem in some way but there is also something called seismic refraction which, wikipedia tells me, is used in geological prospection because;
The methods depend on the fact that seismic waves have differing velocities in different types of soil (or rock): in addition, the waves are refracted when they cross the boundary between different types (or conditions) of soil or rock.
Without getting too lit crit, Prynne spends much time in Field Notes, his remarkable study of The Solitary Reaper, discussing how the sound of the human voice travels across the landscape. If we read refract as to break up or impair and close as to shut down then things may again appear to support my straw clutching. The 1980s saw the Thatcher government preside over many plant closures throughout the UK causing further poverty and hardship in the communities affected.
The final couple of lines that I’d like to call to my aid are;
deal unfound until by surprise uncovered, on the floor keep up: necessary parclose. How
A deal unfound is a deal not found, the steel industry has sought many deals in the past in terms of both mergers and sales. All of these have failed to produce a viable concern with some plants having to stand idle for years waiting for the next rescue deal to come along. Reading ‘parclose’ as a partition and as a conclusion or end, I interpret a bitter irony deployed in ‘necassary’ which was usually the term faux regretful politicians would use to excuse further plant closures.
In conclusion, I may be entirely wrong but this seems to me a fair, if tenuous, stab at what might be going on here and I’ll return to Zinc Option in the next few weeks. With that in mind, any comments would be most helpful
I sympathise with ‘before I can walk’. I would presume any initial reading of this complex poem could only really be provisional. I could as it were make a few fairly preparatory observations. First, the title is not really explained. Note that ‘zinc option’ could also be a term from finance, though Prynne speaks of ‘measuring’ it, bringing us back to industrial processes. And what does this have to do with an ‘ice crevasse’, a term from glaciers, although there may be some industrial analogy. Also, I would note the lack of pronouns, no he/she, just it; like an autonomous and impersonal process, but there are motivational attributions like ‘willing/ as would all be or variable’; or ‘possible/ to get close’ or ‘staunch prior permission’ at the end. How significant is ‘gem’ in such placement’ at the outset. Gem of course can be a verb. And references to ‘furnace’. A catch expression at the end is ‘weld inlay’. I’d say we’re definitely dealing with a ‘process’, either industrial or of work with gem stones that is of significant emotional or motivational import. The biggest hurdle perhaps might be grasping just what the ‘zinc option’ is. Note that the title of the larger work is ‘Or Scissel’, which seemingly pertains to coin production, with various connotational interpretations, for instance zinc apparently can be found in coins. This is not at all to detract from the poem’s fascinating progression and its rather marked uniqueness in contemporary poetry. There were numerous expressions here that I struggled, admittedly, to grasp but that does not detract from the poem’s abiding fascination.