(From Saville, Phillips, Stafford and the Bank of England with 5-15% original embellishment, the bleed into the clouds is, on this occasion, entirely intentional)
tags
adorno amy de'ath andrew marvell arduity atemwende Better than language bloody sunday caroline bergvall celan charles olson clavics david jones derrida Difficult poetry dionysus crucified documentary poetry Edmund Spenser elizabeth bishop ezra pound field notes francesca lisette geoffrey hill Geoffrey Hll geology george herbert heidegger holocaust in parenthesis jacques derrida jeremy prynne j h prynne joe luna john matthias john skelton jonty tiplady kazoo dreamboats keston sutherland love III martin buber martin heidegger maurice blanchot maximus poems mental ears and poetic work neil pattison night office odi barbare paul celan paul muldoon pierre joris poem poetic thought poetry preferences prynne Reitha Pattison Samuel Beckett simon jarvis slow light streak willing entourage artesian stress position sub songs the anathemata the faerie queene the meridian the odes to TL61P the triumph of love the unconditional Timothy Thornton to pollen trigons ulster vanessa place wordsworth writing wrong poetrycategories
art audio books covid-19 cultural criticism david jones economics family film geography history interviews literary criticism literature mental health mythology neuroscience performance philosophy photography poem poetics poetry political science politics sociology theology translation Uncategorized web scienceBlogroll
language
literature
photography
poetics
poetry
writing
search bebrowed
What a strange effect this combination of texts has. A ‘suspension’ (not a mixture or blend) of different elements in a liquid:
particles of IT speak, pieces of economics, politics, etc that could come from the FT or from civil service or banking memoranda, footnotes from academic papers, statistical analyses and so on – and then in the middle of it all the voice of a desperate human being:
“we call this what it is and it is what it is- read the fucking words”.
Very curious. Lewis Carroll would enjoy.
John,
Thank you again for your interest, the quoted texts are from inquiry reports into bad things that have happened juxtaposed with the latest Bank of England report on our financial stability. I’m not at all sure that this does what I want it to but there’s enough there to hopefully refine into something that works a bit better. My interventions into this appropriation are intended to carry something about the poem as bearing witness and as data. The line you quote is a voice of angry desperation culled from Philip Roth and Ezra Pound – two phrases that seem to follow me around.
John